Economic conditions Essay

In this shew Im going to manage that social, political, or economic conditions cannot alter the character and meaning of dodge, with specific reference to whole kit and caboodle of art from baroqueness and Rococo epochs. Evaluating a work of art is always a complicated task. Since the perception of art and hit is highly subjective, its hard to deliberate of universal criteria to measure artistic qualities of a certain plot. However, there is a enormous consensus among the critics that there are certain criteria they entertain when judging an art work.Its thinkable to focus on four primary(prenominal) criteria to judge an art work. First and foremost, the meet should be aesthetically pleasing, i. e. correspond to the all-common model of beauty. It should be harmonical and evoking positive, elevated feelings. plot of ground there is a trend among any(prenominal) contemporary artists to make their pieces arouse scandalisation and disgust with a view to delivering a cert ain message or just now astonishing the public, I strongly prevail that art and aesthetics are inherently linked.For instance, a typical example of baroque sculpture St. Theresa in Ecstasy of the church service of Santa Maria della Vittoria, Rome created by Bernini is better in its form, since it captures the beauty and harmony unneurotic with motion and energy. Same is true well-nigh Rococo sculpture looking at Amour menacant created by Etienne Maurice Falconet, its unachievable not to admire the high full point of sophistication and perfection the statue of the little nonsuch embodies.The second criterion Im going to use is quality of workmanship, i. e. the program line of artists skills. Another criterion which is very eventful is the uniqueness of artists manner. Great artists stand extinct for the peculiarity of their individual flare. Some of them opt to pioneer new forms and techniques, yet this is not a prerequisite for creating a style of your own. Many tale nted artists dont break away from the tradition scarce simply find their own ecological niche within the existing patterns of expression.While about artists of the Baroque and Rococo epoch were considered rebellious, e. g. Michelangelo Merisi da Caravaggio, they didnt violate basic rules of harmonious and aesthetically pleasing artistic expression. Jean-Honore Fragonards manner was also innovative in many instances, sine he introduced a delicate interplay of light and shadow as well as implicit amorousness into mainstream French painting, however he adhered to the chiefly accepted notion of what beauty and art are.Finally, the forth criterion is the message the piece is trying to send. Here its obligatory to take into account the importance and relevancy of the message as well as how successful the piece is in delivering it. Baroque and Rococo painters mainly focused on the depiction of fabulous and religious scenes as well as the scenes from the daily manners of the upper c ircles of federation.While both themes that dominated the artistic discourse might take care to be detached from the real life, they served an grand goal of educating the public about mythological and religious narratives or captured the spirit of their times through the portrayal of the privileged members of society The most persuasive proof of the dissertation that social, political, or economic conditions cannot alter the temper and meaning of art is the fact that forthwith we still admire great whole caboodle of art irrespective of the epoch they conk out to.